“This Rare Earth is a graphic account of twenty-five years working for some of the largest mining  and engineering companies in the world. Much of this work was conducted in in conflict zones where Jeremy Gilmer supervised the construction of dams, mine tailings structures, and oil and gas facilities. Through personal stories and detailed observations, he brings to life the daily realities of those caught in the crossfire of progress—miners, villagers, and local leaders who grapple with the promises and perils of development.

Gilmer describes nerve-wracking situations dealing with corrupt authorities, natural disasters, and project failure. He writes about his time in Northern Angola at the end of a bloody civil war, discusses building a gold mine in cartel territory in Colombia, and looking for water in the windswept pampa of southern Argentina. He writes about crawling a kilometer into a pipe in the high Andes to inspect damage and about night shifts at a vast Arctic diamond mine. He has driven through a blazing jungle in Eastern Bolivian forest fires and survived tense standoffs with armed Pork-knockers, or South American itinerant miners.

Gilmer writes from a place rarely heard from in the debate: an industry linked not only to the environmental challenges we face as a species, but to the very systems our lives— and economy—depend on. This Rare Earth is an unsparing, thought-provoking, and frankly confessional dive into the unseen costs of our technological and industrial addictions.”

“Cartoonist and musician Rick Trembles grew up in the suburbs of Montreal, in the house his father, Canadian Golden Age cartoonist Jack Tremblay (Crash Carson), paid for as a commercial illustrator. Encouraged by his father’s cartooning, inspired by underground comic artists like Robert Crumb, and propelled by the DIY ethos of the burgeoning punk scene, Rick gave in to his own natural drive to create and built a life full of art and music.

But the comics industry had changed since Jack Tremblay found success, and Rick followed his heart into alt-comics. Mainstream cartoonists were already making less money, and alt-comic artists were making even less from their art—if anything at all. When Rick first moved out, he couch-hopped from one messy band rehearsal space to another, finally settling on a small apartment above a pool hall, where he worked on zines and wrote music—until he wasn’t able to make rent. This is just the first stop in a series of insecure housing situations made worse by gentrification.

In Gesticulating Gentrification, Trembles provides a close and honest look at the challenges faced by people living in precarious housing, the constant threat of being forced out by gentrification, and the social and health problems that result from all of it. But this graphic memoir isn’t only about social issues—it also provides a rare glimpse at a bygone version of Montreal and the DIY culture that thrived there.”

“Louis, a young queer man, lives in Pointe-aux-Trembles, in Montreal’s east end, with his rap-obsessed, schizophrenic brother and their terminally ill father. While working at a Tim Horton’s, Louis dreams of becoming a stand-up comedian. Delivered in short, addictive chapters, All Kidding Aside deftly juggles themes of love, class, and grief with poetic mockery and spare, electric banter.”

“In 1942, a young entomologist, Thomas, is sent to a remote island to work on biological weapons for the Allied military. The scientists live like prisoners while they produce anthrax and look for the perfect virus carrier among the island’s many insects.

Sixty years later, in the same region of Quebec, a heat wave unleashes swarms of horseflies while humans fall prey to strange flights of rage. Theodore is living a simple life, working double shifts and drinking to forget, when a horsefly bite stirs him from his apathy. He impulsively kidnaps his grandfather, whose dementia has him living in the past on Grosse Île. 

The horseflies, meanwhile, know a few secrets…

Loosely based on historical fact, Horsefly is a terrifying tale about the ways in which we try to dominate nature, and how nature will, inevitably, wreak retribution upon us.”

“In Blaise Ndala’s magnificent second novel, originally published as Sans Capote Ni Kalachnikov in 2017, the paths of a Canadian documentary filmmaker and two former rebel soldiers from the Congo collide in this searing revenge tale about those who profit from the misery of others.

Los Angeles, 2002. Véronique Quesnel accepts the Best Documentary Oscar for “Sona: Rape and Terror in the Heart of Darkness,” basking in the praise of her privileged audience. She has drawn attention to “the center of gravity that is Black tragedy,” which attracted her away from her life in Montreal, and to the harrowing story of Sona, a young woman who escaped sex slavery. But this lauded film has also shone a dangerous spotlight on Véronique herself. In the Great Lakes region of Africa, Master Corporal Red Ant and his cousin Baby Che are stalking the remnants of the Second Congo War – the deadliest conflict since World War II. In search of truth and vengeance, their obsession now has a name.”